Janet Chen (Ma)
This film explores sensitive topics, including racism and suicide. If you or someone you know is experiencing mental health distress, talk to a licensed therapist. For a mental health emergency, call the NAMI Helpline or call or text 988 for immediate support.
“This mother-daughter journey explores mental health, resilience and healing from intergenerational trauma. The film was prompted by an anti-Asian hate incident that my mom, Diana, survived on 4th of July at the beginning of the COVID-19 pandemic. The road trip starts two years later at the July 4th parade in our conservative American hometown of Huntington Beach, California.
My unique relationship with my mom is at the core of the film and the entry point to these difficult themes and issues. I flip classic cinema tropes and showcase unexpected moments of humor to invite audiences 2into our multigenerational story.
Our road trip through California highlights places of community and healing. We examine the trauma that runs through generations of women in our family, and embrace and reclaim our identities. Most importantly, we learn to speak out loud, to each other and our communities.”
Janet Chen (Ma), M.F.A. (she/her/hers) is an award-winning film and multimedia director, producer, and educator. Her work often explores stories of representation, resistance, and resilience through a multigenerational lens. Her latest short film “Asian Bitches Speak” was honored with a Special Jury Award from the 40th Los Angeles Asian Pacific Film Festival, and a Best Director Award from the 31st QFilms LGBTQ+ Film Festival, among other awards. The film toured the United States as part of “Resistance & Joy,” a program of the inaugural Color Congress Elev8Docs Distribution Initiative, and has also screened internationally in Canada and Asia. Janet has also produced and managed Emmy and Webby-nominated film and multimedia projects.
Janet teaches at UCLA’s Center for EthnoCommunications and has taught in Film and Media Studies at UC Irvine. Sher served as the founding manager and steering committee member of the Asian American Documentary Network (A-Doc), and as the Operations Director at Visual Communications. She is a member of Video Consortium and Brown Girls Doc Mafia.
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